When giving a Lifetime Achievement Award to any filmmaker we
have to look at the career of an individual in regards to their effect on their
community, the industry, and their career as a whole. Sometimes the individual is still working in
the industry while other times they have retired or in some cases have
died. In the case of this year’s
recipient of the award we had to first look for an individual in Georgia whom
we believe has had an impact on their community and then in regards to their
career.
In the case of our 2020 recipient – Ron McLellen, he has a
long history in the horror genre, which just so happened to be his chosen
genre.
During his early military career
McLellen did his film studies from abroad while serving his country.
Once out or the military he started a career
that almost immediately went straight to features.
Many of his early shorts (of all genres) are
now lost, but he would first make his splash on the independent scene with the
feature film THE MIDDLE OF NOWHERE (2002).
This film utilized a huge cast of Georgia based talent in his homage to
his favorite horror films Friday the 13
th and Texas Chainsaw
Massacre as a diverse group of kids are giving the opportunity to win a lot of
money if they could survive the night at a camp ground while being hunted down
by a family of hillbillies dressed in clown outfits.
The film was plagued with problems as he lost
half his original cast during early filming and had to re-shoot most of the
film.
This actually worked in his favor
as he used footage from the first attempt of filming as flashbacks in the final
film as no footage was left on the cutting room floor.
The film is most notable now for being the
debut film for actress AnnaLynne McCord (of Nip/Tuck and the reboot of 90210)
but it is with his enduring collaboration with Georgia filmmakers Dave R.
Watkins and Brent Brooks that would really help cement his relationships with
Georgia filmmakers.
McLellen would spend the next two years before his next
feature collaborating with Watkins and Brooks on the competition short film
“Night of the Hungry Dead” (2004), part of a competition that paid homage to
zombie films and George A. Romero, and as an actor in Watkins’ debut feature
STRAGGLERS (2004), which McLellen also co-produced. With this, McLellen’s career was off and
running!
He would next tackle his homage to John Carpenter’s
Halloween (1978) with his first Halloween themed film JACK O’LANTERN (2004),
which allowed him to continue collaborating with Watkins, David Chillan, Joel
Hunter, and Greg Thompson, who all worked with his in his previous films but
armed with an actual budget he was able to bring in a full and diverse cast and
crew on his biggest production yet! This
film found a group of friends chased down by a monster of vengeance after they
accidentally kill someone and try to cover it up. This has a lot of Halloween and Pumpkinhead
(1988) in it and even a little of Final Destination (2000) in the way of all
the deaths seemingly to have been caused by accidents. This film would eventual play in several film
festivals before getting picked up by Lionsgate Home Entertainment as one of
their (many) Halloween releases that year.
This was also the first of McLellen’s three picture collaboration with
Hayes Productions.
No time was wasted as McLellen went straight ahead with his
second film for Hayes Production and one of the most ambitious in his career
which is the time traveling WWII horror & sci-fi film HELL’S END
(2005)! This saw a soldier from the
future go back in time to WWII to stop a crazy Nazi scientist from
experimenting on soldiers in a POW camp to genetically create a monster that
could help the Nazis win the war. This
required the production to convert a Boys Scout camp into a POW camp in
Northern Georgia for the two weeks of filming.
The most amazing thing about this film is that this was McLellen’s first
large scale production having to cast almost fifty people to play the Nazis and
the POW soldiers (not to mention the over 60 extras required for the large
crowd scenes and the final escape at the end of the film). Along with the amazing cast which includes
Tom Thon, Rob Elwood, Michael H. Cole, Scott Hodges, Vince Pisani, Brian
Avenet-Bradley, Chris Burns, Dave R. Watkins and Jennifer Osburg (as the only
female of the all-male cast), among many more!
McLellen was also the costume designer and put together authentic Nazi,
British, American, and other nationalities of the POW soldiers including some
amazing futuristic costumes. Unlike
McLellen’s previous films this one would more rely on characters and WWII
action than on any horror tropes which made selling the final film to a
distributor problematic. This didn’t
stop McLellen from pushing the film to film festivals and then embarking on his
third film for Hayes Productions – CREATURES OF THE NIGHT.
Unfortunately, CREATURES OF THE NIGHT had problems from
beginning to end and this film was never completed despite having an amazing
cast and crew. The film would have been
McLellen’s second film to take place during WWII but heading the advice of his
sales agent, this film would have had lots more monsters with its vampires
verses werewolves verses Nazis! A
regiment of Nazi soldiers in Romania take residence in a castle where the
family within are all werewolves who have their own race war with the local
gypsies, who happen to be vampires!
About 80% of the film was complete before being shut down temporary to
work only the final special fx. With an
entire cast and crew made up of Georgia talent, McLellen reused props and
elements from his previous film and enhanced them for this film including the
fact that the film was shot on location at an actual castle in Georgia that
would masquerade as Romania! Unfortunately,
due to unforeseen circumstances, this film would never resume filming and never
be completed. McLellen’s collaboration
with Hayes Production would now be at an end.
This would not stop McLellen as elements of COTN would find their
way in McLellen’s “Der Soldat” (2006), a
film completely in German, and “The Spider & The Fly” (2007), which shows a
glimpse of the battle between the Germans and the Gypsy vampires. Also, while COTN was first put on hold,
McLellen would craft his homage to one of his favorite films Texas Chain Saw
Massacre (1974). This film would be BAD
LAND (2007) which would marry his love of the killer back woods family with
voodoo and mad scientist culture with a group of college students during pledge
week who are dropped off in the middle of nowhere and must fend for
themselves. Unbeknownst to them, they’ve
been dropped off on private property of a back woods family who wll kill to
keep their family secrets safe from outsiders.
This is probably the fasted McLellen ever shot a film as it was filmed
almost all during the day on weekends and some nights over the course of about
a month. He shot this film while waiting
to get back into production on COTN and wanted to finish this film before
moving back to that film. Not wanting to
use the same cast as was in COTN, this would be one of his biggest films
casting wise as it would be his first collaboration with actors he’d never
worked with before. This was his first
film with actors West Cummings, Jennifer Cudnick, Beth Keener, Justin Geer,
Greer Howard and many more. His regular
collaborators Cesar Aguirre, Scott Hodges, Michael H. Cole, Ondie Daniel, and
Roland Force would be a few of his regular repertoire to return in this
film. Unfortunately for this film,
despite being a fun and fast slasher film, Bad Land comes off as part of a
trend on back woods killer films of this time.
The film enjoyed a lot of success on the festival circuit!
It would be several years before McLellen would again tackle
a feature film due to the fallout of his collaboration with the Hayes
Production company. In 2011, McLellen’s
next feature AND ALL THROUGH THE HOUSE (2011) would be a return to his roots in
paying homage to holiday horror films!
Taking inspiration of Christmas stories, McLellen crafts an anthology of
Christmas themed horror stories! This
would be one of his true collaborations with his repertoire of past cast and
crew! Returning to help him craft this
film is Watkins, Force, Peg Thon, and many more! This film was partially filmed on location of
many of his previous films which is the property of Roland Force (who also
manages to cameo or star in most all McLellen’s films). If you look closely, you’ll recognize many of
the same locations appear in most of McLellen’s films but this film is also
filmed on location in many different locations to give the anthology a bigger
and more expansive look. This is
probably his biggest list of different locations yet!
A year later McLellen would set his sights on his biggest
and most expansive and ambitious film ALL HALLOWS EVIL: LORD OF THE HARVEST
(2012). This film paid homage to TRICK
‘R TREAT (2007), as the film is an anthology film that follows a lot of
different characters and stories that interconnect culminating in a third act
that brings everything together. The
story follows a misunderstood student who summons an Evil Force and lets lose
all manner of demons and monsters on Halloween!
There are ghosts, werewolves, witches, and all other manner of ghouls
and goblins that plague the small town cursed on this Halloween night. The director’s cut runs almost 3 hours but
there is a shorter festival cut of the film as well. This is McLellen’s most successful festival
film as both versions played numerous festivals for years despite the film
never having found an official distributor.
Although ALL HALLOWS EVIL would currently be his last
feature as director the time in between features would mark a new era for
McLellen as he decided to make several films for horror fans with his fan films
“Return of the Sandman” [Halloween, 2009], “Revenge of the Sandman” [Halloween,
2012], “The Man in the Lake” [Friday the 13th], and “TCM: New Blood”
[Texas Chain Saw Massacre, 2013] among a lot of various other shorts. It’s also important to note that in addition
to his early shorts before MIDDLE OF NOWHERE, there are a lot of “lost” films
which includes his sci-fi/horror film “From Above” and his first anthology
feature THE SAYER.
This doesn’t even include all the other films and projects
he did outside his own career which includes starring in Watkins’ comedy web
series “The Lumber Baron of Jasper County” and feature film RETURN OF THE
JACKALOPE (2006). He also helped in the
areas of editing, producing, and cinematography with such films as HOUSE OF
SECRETS (2015), “Primal” (2013), “The Vail” (2009), THE SYSTEM (2016), TEARS OF
BANKERS (2012), just to name a few.
McLellen has used working with other films as a means to work on all
other genres when not working on his own horror films.
During all these years McLellen also managed to run his own
film festival Fright Fest Film Festival in in 2003 which then became the
Cine-Macabre Film Festival in 2004 (due to some naming rights issues with Six
Flags Over Georgia’s similarly named Halloween event).
McLellen’s film festival originated in
Gainesville where he makes his home and where many of his films were shot.
Over the last several years McLellen has turned towards his
second passion which is music! Having
scored the music for all his films as well as other film-makes’ productions, McLellen’s
love of music led him to collaborating with several different bands which
continues to this day as he finds a new outlet to indulge his creative and
artistic tendencies.
Throughout McLellen’s career, he has managed to influence
and effect not only the creative arts in various cities but have also had
tremendous support from those same cities such as Gainesville (the place he
calls home and was influential with his film festival as well as productions
such as Bad Land and Jack O’Lantern), Rome (on All Hallows Evil, Tears of
Bankers, The System) and many more. He’s
managed to cultivate a huge repertoire of cast and crew that repeatedly
returned on various films. Even though
he has not directed a film in several years his influence can still be felt
within the indie film industry where his films continue to be available through
various streaming and online services.
*Not all of McLellen’s
films are mentioned in this article and there are even more lost to time but
you can find more info on his through Facebook and You Tube!
This year’s “Official
selection” of animated and puppetry arts films hails from all over the
world! We love to see what filmmakers
are producing in terms of animation from different countries in different styles
and especially in terms of stories.
Unfortunately,
there is only one puppetry arts film screening this year and its director Sean
Price’s “Sam” [United States] but it tells a story with puppets in the same
universe as live humans and is a very heartfelt tale.
Wenkai Duan presents
his “Tacit Blue” [China] which follows the explosive tradition of anime with
its heavy use of science fiction and crime story that is sure to
entertain. Ho Kwon Kim’s film “Division
Series” [Republic of Korea] is a political allegory that will keep you laughing
while also having you questions the leaders of the free world and how delicate
relationships between them truly are.
For more info
about Something Wicked Film Festival and this year’s Online Festival Event
visit our website at www.somethingwickedfilmfestival.com
and tickets can be purchased through Film Freeway (https://filmfreeway.com/somethingwickedfilmfestival/tickets)
and Ticket Leap (https://something-wicked-film-festival.ticketleap.com/something-wicked-film-festival/).
