
I’m a little
saddened to say that this year we didn’t receive nearly as many science fiction
films as we have in the past but what we did receive I saw a reoccurring theme
which is character driven films that happen to be about people who question
themselves and their world rather than flashy films that rely too much on
visual FX.
This is
something at the heart of director Vasily Chuprina’s “Those Beautiful Moments”
[Netherlands] about a scientist in search of beauty in life. John Caroll DeShazier’s post-apocalyptic film
“In the Wake of Judgement” [United States] finds Camael (Davida Rowan) alone in
a wasteland until an evil entity Belial (Clinton D. Walker) forces her to
question herself and her journey. In “The
Uncanny Valley” [Canada] from writer/director Ian Vatcher a woman questions
herself and her life after the Internet stops working; technology becomes a
means in which we measure the quality of our lives. You may no longer be who you are in the
future crafted in Patrick Devaney’s “Identity Check” [United States] where your
identity is just a commodity to be sold and taken away from your like
property. The only film that falls
outside of these themes is the 1957 period film “Hound Dog” [United States]
from directors Michael R. Anderson and Matt Provenzano which sees a bunch of
teenagers deal with an alien menace (and which pays homage to The Blob).

This unique
group of films shows what types of science fiction stories filmmakers have been
coming up with. There is a shift to
craft more personal and thought provoking and character driven films that do
not necessarily rely on a lot of visual FX.
I am excited that SWFF can bring these films together for our audience
to view. As you can see, these films are
from different parts of the world and although some of these themes repeat,
each filmmaker has crafted their own approach to their film which makes them all
the more interesting.
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